Malayalam super hit suspense thriller full movie 2013 starring Jayasuriya
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Thalamura is a 1993 Indian Malayalam film, directed by K Madhu and starring Mukesh and Madhu in lead roles. 
Anju (Baby Anju)
Directed by K Madhu
Starring Mukesh, Madhu
Cinematography Saloo George
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Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok’s dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble – all from different parts of India – all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen – and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?
Director : – Abdul Rashid Kardar
Producer : – Abdul Rashid Kardar
Starcast :- Kishore Kumar, Chand Usmani, Smriti Biswas, Nazneen, Leela Mishra, Jayant, Ulhas
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Chithrathoonukal is a 2001 Indian Malayalam film, directed by TN Vasanth Kumar, starring Vijayaraghavan and Anju Aravind in the lead role
directed by TN Vasanth Kumar
Starring Vijayaraghavan, Anju Aravind
8 January 2001
Vijayaraghavan made his film debut with Kaapaalika, which was based on his father’s play of the same name. He appeared in just a couple of scenes in this film. His opening as a full-fledged actor occurred ten years later in Surumayitta Kannukal (1983). However, it was only after he appeared in the 1987 film New Delhi that Vijayaraghavan became a busy star in Malayalam film.
He got a break with his performance in the 1989 film Ramji Rav Speaking, in which he played the title role of the villain Ramji Rao. In the mid-1990s Vijayaraghavan played the hero in a number of low-budget Malayalam movies. He appeared in a few movies as second hero with Suresh Gopi in the lead role, including Commissioner. He also played notable roles in movies such as Ekalavyan, Mafia and King. In 1995, he reprised his role as the character Ramji Rao in Mannar Mathai Speaking.
In the 2000s, he turned to character and villain roles and appeared in various movies, among them C.I.D. Moosa, Lion, Chotta Mumbai, Mayavi, Bharathchandran I.P.S. and Raavanaprabhu. He has also appeared in a popular Malayalam television serial entitled Kavyanjali, produced by Balaji Telefilms.
Vijayaraghavan is the son of veteran actor N. N. Pillai and Chinnamma. He was born in Kuala Lampur, the capital of Malaysia, where his father worked. He has two younger sisters, Sulochana and Renuka. He had his primary education from Govt. High School, Kudamaloor.
He is married to Suma and has 2 sons. The elder son, Jinadevan is a businessman and is married to Rakhi.The couple have a son – Adrath. The younger son, Devadevan is in film industry. He is settled at Olassa, Kottayam District, Kerala
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ce Cream is a 1986 Indian Malayalam film, directed by Antony Eastman and produced by Hameed. The film stars Mammootty, Lissy, Jayarekha and Innocent in lead roles. The film had musical score by Johnson
Mammootty as Thampi
Lissy as Rekha
Innocent as Police Officer
Thilakan as Omanakuttan Nair
KPAC Lalitha as Elizabeth
Ashokan as Prakashan
Sankaradi as Doctor
Bharath Gopi as Panikkar
Karamana Janardanan Nair
Mala Aravindan as Worker
Philomina as Mother
T. P. Madhavan as Bhaskaran
Directed by Antony Eastman
Produced by Hameed
Written by Antony Eastman
John Paul (dialogues)
Screenplay by John Paul
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Namukku Parkkan Munthiri Thoppukal (English: Vineyards for Us to Dwell In) is a 1986 Indian Malayalam-language romance drama film written and directed by Padmarajan, based on the 1986 Malayalam novel Nammukku Gramangalil Chennu Rapparkkam by K. K. Sudhakaran. The film features Mohanlal, Shari, Thilakan, Vineeth, and Kaviyoor Ponnamma.
The film is noted for its rich and detailed screenplay, expressive cinematography and flowing musical narration. The film is considered as one of the seminal works of the golden age of Malayalam cinema that lasted from the mid 1980s until the mid 1990s. Mohanlal’s portrayal of Solomon has brought out one of the most matured romantic characters in Malayalam Cinema, and also noted for the performance of Thilakan, and the background score of Johnson.
The story is centered around a Malayali Syrian Christian-Nasrani (“Nazarene”) family. Throughout the film, there are references to the Biblical book Song of Songs. However, the film story doesn’t follow the same line and differs in many ways. It also has additional meanings added to make it a different story. In Song of Songs, King Solomon tries to coax a slave girl to become his consort. But the slave girl loves a shepherd. The script goes through her dreams and shows her affection that she has to the shepherd, and shows her attempts to escape from guards for returning to the countryside. At the end, King Solomon, having failed to obtain love from the her, allows her to go free and meet her goatherd.
In this movie, Solomon is the hero and is shown as one who comes to home at untimely times but still having friendly chat, enquiries & sharing of gifts with family members. He is shown to have a special affection to the elder child of the neighboring family. He acknowledges that she is seen doing some errand every time. He protests against the discrimination shown to her by her stepfather (caretaker). He is ready to make her comfortable and shows his way of life (the song, Akashamake Kanimalar). He was able to convince everyone about his marriage to this girl. He sees her not as a friend nor as someone who requested his help but as an equal partner described by saying that she would be the supervisor of the next season’s harvest. But her stepfather strongly opposes this relationship and brings up her past. Having failed to get her in a legal way, he leaves his own home but to come back a second time. He clearly expresses that in the dialogue “Nee vicharichu njan thiruchu varikayellannu” (You thought that I wouldn’t come again). In his second coming, he is ready to punish the evil doers and also take his followers with him who may or may not have a great past. He also absolves her of any issue and had expected her to come out of her house when he had called out her name. That she was reluctant because of her past was dramatically spoken as “Njan vicharichu” (I thought), meaning she concluded that she was forgotten because of her past. The movie ends in a positive note of his family members accepting the marriage.