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Theetta Rappai is Malayalam comedy movie, which has been directed by Winu Ramakrishnan. The movie stars RLV Ramakrishnan & Sonia Agarwal in the lead roles…
RLV Ramakrishnan is an Indian film Actor, who has worked predominantly in Malayalam movie industry . His previous film to hit the theatres was Theetta Rappai in the year 2018 .

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Story: Hari is in love with Mythili, who belongs to a rich and aristocratic family on who Hari’s family depends. The lovers, however, are determined to let nothing come between them

Review: Suresh Narayanan’s Premanjali is rather relevant today in the wake of youngsters being killed for falling in love with people not approved by their parents. But other than that, the film can be considered a mega-serial compressed into two hours, with little much else to offer.

Mythili belongs to a rich and aristocratic joint family, comprising grandparents, uncles, aunts and cousins. While Mythili is in love with Hari, her male cousin is in love with Hari’s sister. However, since Hari’s family is poor and dependent on Mythili’s, the two sets of lovers are not encouraged, and the dependent family is shunned when the affairs are revealed. Meanwhile, Mythili’s wedding is fixed with her cousin and fiance, a rich man.

The story is set in a traditional ancestral home, with all the women in settu mundus, complete with classical music and valluvanadan slang. While the aristocrats are fair skinned, the dependents are a step lower in caste and dark skinned, not so surprisingly.

The dialogues and scenes seem straight out of a play at times but the first half of the film is quite watchable, with the youngsters clandestine affairs, which however, are an awkward combination of WhatsApp love stories and the traditional dhavani clad girl and mundu clad boy ones. The director seems confused as to when to set the story, the current age or an earlier one.

The events in the second half and the climax, though, are intolerable, and can give mega-serials a run for their money.

The actor playing the grandfather, the molester, as well as the youngsters, though newbies, mostly act well, and thus the film is bearable. A host of familiar faces play the family members, Baby Namboothiri, Bhagyalakshmi, Devan, Sreedevi Unni and Anoop Chandran among others. Though Anoop puts up a humorous act, Bhagyalakshmi has nothing to offer.

Shweta Menon has an intriguing character, the ‘mad’ relative Subhadra, who has been ostracised for breaking the norms of the family in her youth. The actress looks drop dead gorgeous in a traditional avatar, though her role in the scheme of things is never developed properly or brought to a proper conclusion.

Premanjali gets marks for its artistic settings and it’s attempts to explore the issue of a woman’s freedom to choose her mate, nothing else.

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Latest Malayalam Comedy Movie Full 2018 New Thrilling Movie 1080 Latest Upload 2018 HD



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Sonia Agarwal (born 28 March 1982) is an Indian film actress known for her works predominantly in Tamil cinema and a few Telugu films. She is best known for her performances in super-hit films such as Kaadhal Kondein (2003) (directed by Selvaraghavan), 7G Rainbow Colony (2004) and Pudhupettai (2006).[1][2]

Featuring her brother-in-law Dhanush, the film became a huge success and she was widely appreciated for her performance as Divya in the film, which brought her into the limelight and fetched her several awards, including the ITFA Best New Actress Award. She acted alongside actors Silambarasan and Vijay in the films Kovil and Madhurey, respectively. In 2004, the controversial Tamil drama film 7G Rainbow Colony, directed by Selvaraghavan again, was released, which went on to become a blockbuster at the box office. After appearing in the films Oru Kalluriyin Kathai and Oru Naal Oru Kanavu in 2005, both of which failing to perform at the box office, she got roles in the films Thiruttu Payale and Pudhupettai. The former, directed by Susi Ganesan, became a highly successful film, whilst the latter, another Selvaraghavan film, received universal critical acclaim
Director Winu Ramakrishnan filmed the story of Theetta Rappai as a Malayalam movie in 2018 titled “Theetta Rappai”. Kalabhavan Mani’s brother RLV Ramakrishnan played the title role of Theetta Rappai in this film.
Theetta Rappai (20 April 1939 – 9 December 2006) was an Indian competitive eater who used to eat enormous quantities of food.[1] Rappai used to eat 75 idlis of rice for breakfast, buckets of rice and curries for lunch, and 60 chapatis for dinner. He is known to have eaten 250 idlis and 15 kg of pudding and halwa in one sitting. On a different occasion, he is known to have consumed 75 idlis, 25 kg appam, hundreds of bananas, and buckets of payasam.[2] Rappai had won several eating competitions in and outside Kerala. His name had been included in the Limca Book of World Records

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Latest Malayalam Dubbed Action Comedy Movie New Upload Full Thrilling Movie Latest Upload 2018 HD



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Naalu Policeum Nalla Irundha Oorum (English: Four policemen and a town that used to be trouble-free) is a Tamil comedy film written and directed by Srikrishna. The film features Arulnithi and Remya Nambeesan in the leading roles.[2] The film was highly panned by critics for its poor story and screenplay. The movie failed to perform well at the box office. It is loosely based on the 1939 British film Ask a Policeman.[3]

Contents
1 Plot
2 Cast
3 Production
4 Track list
5 Release and reception
6 References
7 External links
Plot
The film starts with an outsider coming to the village to provide invitations to the people there. There is a police station with one sub-inspector Chelladurai (Bagavathi Perumal) and 3 constables. The village is apparently winning the award from President for being a model village. People are very honest and hardworking, and there are no problems in the village. The policemen lead a very peaceful life because of the villagers. They work from 9 to 5 and are closed on Sundays. The police station is used for playing board games and watching TV along with the villagers. Constable Shanmughapandian (Arulnithi) is a daydreamer and has a liking to a schoolteacher Subha (Remya Nambeesan). However, he is unable to propose to her. Since the village is clean without any crimes, the higher official plans to transfer them to another village well known for riots. Saddened by this, the four policemen create trouble for the villagers.

Padhinettampadiyan (Singampuli) and Chelladurai ask a favor from a thief (Yogi Babu) to steal things so they can file a case. However, all their attempts fail. How their actions cause change among the villagers and their lives is the rest of the film.

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Asha Prakash, Jun 1, 2018, 04.05 PM ISTCritic’s Rating: 2/5
Story: Hari is in love with Mythili, who belongs to a rich and aristocratic family on who Hari’s family depends. The lovers, however, are determined to let nothing come between them

Review: Suresh Narayanan’s Premanjali is rather relevant today in the wake of youngsters being killed for falling in love with people not approved by their parents. But other than that, the film can be considered a mega-serial compressed into two hours, with little much else to offer.

Mythili belongs to a rich and aristocratic joint family, comprising grandparents, uncles, aunts and cousins. While Mythili is in love with Hari, her male cousin is in love with Hari’s sister. However, since Hari’s family is poor and dependent on Mythili’s, the two sets of lovers are not encouraged, and the dependent family is shunned when the affairs are revealed. Meanwhile, Mythili’s wedding is fixed with her cousin and fiance, a rich man.

The story is set in a traditional ancestral home, with all the women in settu mundus, complete with classical music and valluvanadan slang. While the aristocrats are fair skinned, the dependents are a step lower in caste and dark skinned, not so surprisingly.

The dialogues and scenes seem straight out of a play at times but the first half of the film is quite watchable, with the youngsters clandestine affairs, which however, are an awkward combination of WhatsApp love stories and the traditional dhavani clad girl and mundu clad boy ones. The director seems confused as to when to set the story, the current age or an earlier one.

The events in the second half and the climax, though, are intolerable, and can give mega-serials a run for their money.

The actor playing the grandfather, the molester, as well as the youngsters, though newbies, mostly act well, and thus the film is bearable. A host of familiar faces play the family members, Baby Namboothiri, Bhagyalakshmi, Devan, Sreedevi Unni and Anoop Chandran among others. Though Anoop puts up a humorous act, Bhagyalakshmi has nothing to offer.

Shweta Menon has an intriguing character, the ‘mad’ relative Subhadra, who has been ostracised for breaking the norms of the family in her youth. The actress looks drop dead gorgeous in a traditional avatar, though her role in the scheme of things is never developed properly or brought to a proper conclusion.

Premanjali gets marks for its artistic settings and it’s attempts to explore the issue of a woman’s freedom to choose her mate, nothing else

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Latest Malayalam Movie Full 2018 New Comedy Movies 1080 Latest Upload 2018 HD



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Sonia Agarwal (born 28 March 1982) is an Indian film actress known for her works predominantly in Tamil cinema and a few Telugu films. She is best known for her performances in super-hit films such as Kaadhal Kondein (2003) (directed by Selvaraghavan), 7G Rainbow Colony (2004) and Pudhupettai (2006).[1][2]

Featuring her brother-in-law Dhanush, the film became a huge success and she was widely appreciated for her performance as Divya in the film, which brought her into the limelight and fetched her several awards, including the ITFA Best New Actress Award. She acted alongside actors Silambarasan and Vijay in the films Kovil and Madhurey, respectively. In 2004, the controversial Tamil drama film 7G Rainbow Colony, directed by Selvaraghavan again, was released, which went on to become a blockbuster at the box office. After appearing in the films Oru Kalluriyin Kathai and Oru Naal Oru Kanavu in 2005, both of which failing to perform at the box office, she got roles in the films Thiruttu Payale and Pudhupettai. The former, directed by Susi Ganesan, became a highly successful film, whilst the latter, another Selvaraghavan film, received universal critical acclaim
Director Winu Ramakrishnan filmed the story of Theetta Rappai as a Malayalam movie in 2018 titled “Theetta Rappai”. Kalabhavan Mani’s brother RLV Ramakrishnan played the title role of Theetta Rappai in this film.
Theetta Rappai (20 April 1939 – 9 December 2006) was an Indian competitive eater who used to eat enormous quantities of food.[1] Rappai used to eat 75 idlis of rice for breakfast, buckets of rice and curries for lunch, and 60 chapatis for dinner. He is known to have eaten 250 idlis and 15 kg of pudding and halwa in one sitting. On a different occasion, he is known to have consumed 75 idlis, 25 kg appam, hundreds of bananas, and buckets of payasam.[2] Rappai had won several eating competitions in and outside Kerala. His name had been included in the Limca Book of World Records

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Kashillatheyum Jeevikkam is a 2002 Indian Malayalam film, directed by Jose Puthussery, starring Jagathy Sreekumar and Kalpana in the lead role. [1][2][3]
Cast

Jagathy Sreekumar
Ajith
Kalpana
Pradeep
Rahul Rajwi
Kalabhavan Shajohn
Machan Varghese
Mamukkoya
Manuraj
NF Varghese
Priyanka
Rassia
Salim Kumar
Saritha Balakrishnan
TS Raju

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Katham Katham is a 2015 Tamil film directed by newcomer Babu Thooyavan, son of veteran writer Thooyavan.[1][2] The film features Nandha, Natarajan Subramaniam, Sanam Shetty, Sharika in the lead and was produced by Appu Movies.[3] The supporting cast includes Nizhalgal Ravi, Crane Manohar, Singamuthu, and Soundar.

Contents
1 Plot
2 Cast
3 Critical reception
4 References
5 External links
Plot
Nandha (Nandha Durairaj) is an upright sub-inspector of police who has been transferred fifteen times in three years. He is then transferred in a police station based in Pollachi. There, the inspector of police Pandian (Natarajan Subramaniam) is in the pay of Periyannan (Rajagopalan), the local minister who runs in own government in the place. Nandha is shocked to note that Pandian and the entire police department is corrupt. Thereafter, Nandha tries hard to enforce the order. Soon, both policemen will clash. Pandian becomes an honest policeman after Periyannan’s men attempt to kill him and he is revived with blood transfusions from the public. However, Nandha does not believe that he has truly changed. After a fellow honest sub-inspector gets killed by Periyannan’s men, Nandha blames Pandian and through short routes becomes inspector himself. He arranges for Periyannan and his men to clash with Pandian, but in the ensuing fight, Pandian kills them all while Nandha walks away.

Cast
Nandha Durairaj as Sub-Inspector Nandha
Natarajan Subramaniam as Inspector Pandian
Sanam Shetty as Madhu
Sharika as Priya
Nizhalgal Ravi as SP Ravichandran
Pandu as Madhu’s father
Vinod as Sub-Inspector Kannan
Harish as Sakthi, Periyannan’s son
Rajagopalan as Periyannan
Singamuthu as Constable Kumar
K R Selvaraj as Nandha’s father
Crane Manohar as Constable Swami Doss
Soundar as Constable Soundar
Seshu as Constable Unnikrishnan
Maruthu Pandi
Mona Petra as ACP Deepthi Nair
Kaajal Pasupathi as Padmini
Sindhu as Manimekalai
Nisha Dass
Aarannan R as Registar
Critical reception
The movie opened to mixed reviews from critics.[4] The Times of India gave the film 2.5 stars out of 5 and wrote, “This is pucca masala material and Babu Thooyavan does a fairly good job with it until the interval point. But the film fails to pick up steam…the script just fizzles out. There are no thrilling cat-and-mouse games and in their place all we get are predictable situations, a mood-killing love track…and a tame climax that is utterly disappointing”.[5] The Hindu wrote, “If the director had avoided the temptation of including ‘necessary commercial elements’, Katham Katham would have been a quality film”.[6] Rediff gave it 1.5 stars out of 5 and wrote, “There are a few well-written dialogues, but a cliché ridden script, and ordinary execution by the debutant director makes Katham Katham a total waste of time”.[7] Sify called it “undoubtedly one of the worst films of the year in terms of story and production values